The one camera I will never sell. Some people want their watch to be passed on from one generation to the next, I want my children to get my Hasselblad. All square images (6×6 medium format negatives) are shot on this camera.

When I purchased this camera I had no idea I would fall in love with the slow process of large format photography. I love the images it creates, for the stunning quality but also because so much can go wrong in this process which makes me appreciate it so much more.

This is an absolute workhorse of a camera and was purchased to be able to keep up with my two wild boys running around. Reliable autofocus and ergonomic handling make this an irreplaceable camera for me.

Although this camera unfortunately is not in my possession anymore a lot of the work here is created with this camera. A unique 35mm camera that creates stunning panoramic images.

This digital full frame camera is rigged to my copy stand together with the Venus Laowa 58mm (f/2.8 2x Ultra Macro APO) where it is being used for scanning my negatives. The quality scans it provides me with are an important part of the final result you see here.

This 35mm point and shoot camera is no longer in my possession and is essentially replaced in my kit by the Canon EOS 3 which offers me more lens choices and better autofocus. A lot of the images here, however, are created with this amazing little camera.

To keep the cost of film photography down I started developing my own film last year. I have made mistakes, but the AGO film processor keeps it at a minimum and helps with even results.

For scanning my images I use the Lobster Holder gear, for all formats. All three have never let me down and work great in my current setup scanning with a digital camera.

After using Negative Lab Pro for a long time I am currently using Filmomat Smart Convert and the Filmomat Control Panel. Reason for the change is the stripped down approach and my break with Adobe.